Monthly Archives: May 2013

Xul Solar – Intimism

Defined by the Encyclopedia Britannica Intimism was a 19th-20th century painting style made popular by Pierre Bonnard and Edouard Vuillard. the Intimist style utilized the impressionist broken-colour technique of “capturing the light and atmosphere of the fleeting moment”[1]. Unlike traditional … Continue reading

Posted in Argentina, avant-garde, Der Blaue Reiter, Emilio Pettoruti, Intimism, Paris, Uncategorized, WatercolourXUL SOLAR-INTIMISM, Xul Solar, Xul Solar Museum | Leave a comment

Modernization and Culture in Latin American Art History

Modernization is a process of producing culture, as is art. Culture plays a role in the production of knowledge systems, of which visual art is one aspect. Art is a product of the contemporary culture that surrounds the artist, and … Continue reading

Posted in anti-imperialism, Brasilia, diversity, gender, hybridity, indigenismo, mestizaje, modernismo, nationality, postmodern, power, representation, Uncategorized | Leave a comment

School of Cuzco (Peru)

The School of Cuzco was formed by a circle of Peruvian artists and comprised artists of unidentified ethnic groups. It was established from the sixteenth to the nineteenth century in Cuzco, Peru. This school experienced three main periods, each with … Continue reading

Posted in Baroque, chiaroscuro, Cuzco, Diego Quispe Tito, Diego Velazquez, Inca, Peru, Peter Paul Rubens, Spain, Spanish Mannerism, Uncategorized | Leave a comment

UltraBaroque

Baroque is a term used in the literature of the arts with both a historical and critical meaning, and as both an adjective and a noun. This entry will focus on defining and relating the term Baroque art as they are most … Continue reading

Posted in Baroque, Brazil, Counter Reformation, extravagant, Jessica Bradley, Rome, taste, Uncategorized | Leave a comment

The Political Dimension of Visual Culture in Latin America

Visual culture in Latin America, like visual culture everywhere, is shaped and influenced by the social and political histories that define the realities of the place. The interaction of local traditions with outside cultural influences is instrumental in the formation … Continue reading

Posted in colonization, dictatorship, Diego Rivera, empowerment, Erich Auerbach, Homi K. Bhabha, hybridity, Marxism, memory, Néstor García Canclini, otherness, propaganda, social consciousness, Uncategorized, visual culture | 1 Comment

Avant-Garde Art in Latin America

Avant-garde is a French term originally used to describe “the foremost part of an advancing army or naval force” (Oxford English Dictionary Online-vanguard), but has since been appropriated to indicate “new and experimental ideas and methods in art” (Oxford English … Continue reading

Posted in avant-garde, Brazil, Diego Rivera, ethnicity, experimentation, hybridization, indigenous, Paraguay, social and political history, Uncategorized, universal, Vladimir Lenin | Leave a comment

The Suburbs as a “Topos” of Latin American Culture

In defining the suburbs as a “topos” of Latin American culture, I must first define the words “suburbs” and “topos.” A common perception of the suburbs is a place that is located immediately outside of a town or a city. … Continue reading

Posted in 1950s, Brazil, Latin America, Latin American culture, location, New York, Oscar Niemeyer, relocation, topos, Uncategorized, United States | Leave a comment